The Yellow Wallpaper by Charlotte Perkins Gilman - 903 Words

In â€Å"The Yellow Wallpaper,† a woman, the narrator, is isolated to the point of insanity by her husband, John. The very isolation that he thinks will cure her is actually causing her to delve deeper into her insanity. In A Doll House, Torvald isolates Nora from her identity. Torvald treats and adorns Nora like a doll instead of an individual. Nora relies so much on Torvald that his selfish reaction to her forgery kindles a passion in her. The speaker in The Raven isolates himself in his grief that eventually reaches a point of hysteria whenever he hears the raven. The characters’ confinement reaches a point when the desire to escape blossoms inside of them. John disregards the woman’s claim of sickness as a â€Å"temporary nervous depression- a slight hysterical tendency† (Gilman 655). His cure is for her to do nothing. Little by little he is taking away her freedom. He does not let her socialize or take care of her child. John ends the woman’s household duties by bringing in his sister, Jennie, to be the housekeeper. The woman is only allowed to lie down and eat lots of cod liver oil and tonics. When the woman asks John if he would take her away from the house, especially the wallpaper, he says that there is nothing wrong. He believes that her mind just has false and foolish fancies. Per contra to what John says and thinks, the woman believes that working will do her good. She starts to write about the yellow wallpaper’s pattern and eventually describes the woman that sheShow MoreRelatedThe Yellow Wallpaper By Charlotte Perkins Gilman885 Words   |  4 Pagesbeen a stigma around mental illness and feminism. â€Å"The Yellow Wallpaper† was written by Charlotte Perkins Gilman in the 1900’s. â€Å"The Yellow Wallpaper† has many hidden truths within the story. The story was an embellished version her own struggle with what was most likely post-partum depression. As the story progresses, one ca n see that she is not receiving proper treatment for her depression and thus it is getting worse. Gilman uses the wallpaper and what she sees in it to symbolize her desire to escapeRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman846 Words   |  4 PagesHumans are flawed individuals. Although flaws can be bad, people learn and grow from the mistakes made. Charlotte Perkins Gilman’s short story, â€Å"The Yellow Wallpaper†, gives one a true look at using flaws to help one grow. Gilman gives her reader’s a glimpse into what her life would have consisted of for a period of time in her life. Women were of little importance other than to clean the house and to reproduce. This story intertwines the reality of what the lives of woman who were considered toRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman1362 Words   |  6 Pagesas freaks. In the short story â€Å"The Yellow Wallpaper† by Charlotte Perkins Gilman, both of these elements are pr esent. Gilman did a wonderful job portraying how women are not taken seriously and how lightly mental illnesses are taken. Gilman had, too, had firsthand experience with the physician in the story. Charlotte Perkins Gilman s believes that there really was no difference in means of way of thinking between men or women is strongly. â€Å"The Yellow Wallpaper† is a short story about a woman whoRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman1547 Words   |  7 PagesCharlotte Perkins Gilman s career as a leading feminists and social activist translated into her writing as did her personal life. Gilman s treatment for her severe depression and feelings of confinement in her marriage were paralleled by the narrator in her shorty story, The Yellow Wallpaper. Charlotte Perkins Gilman was born in 1860 in Hartford, Connecticut. Her parents, Mary Fitch Perkins and Fredrick Beecher Perkins, divorced in 1869. Her dad, a distinguished librarian and magazine editorRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman2032 Words   |  9 Pagesâ€Å"The Yellow Wallpaper† by Charlotte Perkins Gilman is a poem about women facing unequal marriages, and women not being able to express themselves the way they want too. Charlotte Perkins Gilman was born in 1860, and died in 1935. This poem was written in 1892. When writing this poem, women really had no rights, they were like men’s property. So writing â€Å"The Yellow Wallpaper† during this time era, was quite shocking and altered society at the time. (Charlotte Perkins Gilman and the Feminization ofRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman904 Words   |  4 Pagescom/us/definiton/americaneglish/rest-cure?q=rest+cure). Charlotte Perkins Gilman wrote The Yellow Wallpaper as a reflection of series of events that happened in her own life. Women who fought the urge to be the typical stereotype were seen as having mental instabilities and were considered disobedient. The societal need for women to conform to the standards in the 1800s were very high. They were to cook, clean and teach their daughters how to take care of the men. Gilman grew up without her father and she vowedRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman999 Words   |  4 Pages â€Å"The Yellow Wallpaper† is a story of a woman s psychological breakdown, which is shown through an imaginative conversation with the wallpaper. The relationship between the female narrator and the wallpaper reveals the inner condition of the narrator and also symbolically shows how women are oppressed in society. The story, read through a feminist lens, reflects a woman s struggle against the patriarchal power structure. In the â€Å"The Yellow Wallpaper†, Charlotte Perkins Gilman uses the wallpaperRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman Essay1208 Words   |  5 Pagesthat wallpaper as I did?† the woman behind the pattern was an image of herself. She has been the one â€Å"stooping and creeping.† The Yellow Wallpaper was written by Charlotte Perkins Gilman. In the story, three characters are introduced, Jane (the narrator), John, and Jennie. The Yellow Wallpaper is an ironic story that takes us inside the mind and emotions of a woma n suffering a slow mental breakdown. The narrator begins to think that another woman is creeping around the room behind the wallpaper, attemptingRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman846 Words   |  4 PagesThe dignified journey of the admirable story â€Å"The Yellow Wallpaper† created by Charlotte Perkins Gilman’s, gave the thought whether or not the outcome was influenced by female oppression and feminism. Female oppression and feminist encouraged a series of women to have the freedom to oppose for their equal rights. Signified events in the story â€Å"The Yellow Wallpaper† resulted of inequality justice for women. Charlotte Perkins Gilman gave the reader different literary analysis to join the unjustifiableRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman1704 Words   |  7 PagesEscaping The Yellow Wallpaper Charlotte Perkins Gilman (1860-1935) whom is most acclaimed for her short story The Yellow Wallpaper (1891) was a women’s author that was relatively revolutionary. Gilman makes an appalling picture of captivity and confinement in the short story, outlining a semi-personal photo of a young lady experiencing the rest cure treatment by her spouse, whom in addition to being her husband was also her therapist. Gilman misused the rest cure in The Yellow Wallpaper to alarm other

Online Computer Games The University Of Adelaide

Sal Humphreys is a ‘senior lecturer in media studies’ at the ‘University of Adelaide in South Australia’ from 2009 (The University of Adelaide, 2015). He published mass of journal articles about communication and media studies from 1997 to 2015, such as Postfeminist inflections in television studies (Humphreys et al, 2014), and Grassroots creativity and community in new media environments: Yarn Harlot and the 4000 knitting Olympians (Humphreys, 2008). His research focuses on digital games and online social networking sites. He works in these areas to understand the regulation, governance and institutional forms. He finished the article‘Productive Players: Online Computer Games’ Challenge to Conventional Media Forms’ in 2005, and first time†¦show more content†¦43). In his article, massive multiplayer online games as a new text form, which seem has the great success and influences the media culture. In this chapter, Humphreys’s unique insight into the mass media of online games research can be evidenced in many ways, he study is the great help of others scholars who do media and cultural studies. First of all, the guide of players investment or productivity in a online games, and create the social and community form is a undoubtedly important part of massive multiplayer online games (Humphreys, 2008, p. 41-42). For the public, the primary function of online games is entertainment, which is not a single way amusement, but is a two-way interactive entertainment. Online game is different from conventional media (such as television or movies), and contains a variety of media. The most fundamental difference of the participate players to the online game and the traditional audience that all the players of the game is interactive, and even their self-interaction constitute a part of the game environment and culture. Different people play a game in a same time, which constitute the different gaming environment. But the audiences of traditional television (or movie) cannot interact with each other in real time,

Francis Bacon Essay Example For Students

Francis Bacon Essay Beginning on the early 1950s, despite the dominance of Abstract Expressionism in both the United States and Europe, there were recurring waves of insistence on a return to the figure, a new naturalism of naturalistic fantasy. Crucial to the new figuration were Alberto Giacometti and Jean Dubuffet. The only other figurative Expressionist powerful enough to be compared with Giacometti and Dubuffet were British. Chief among these was the Irish-born Francis Bacon, one of the artistic giants of his time. Bacon has been called the greatest poet of the second half of the 20th century and even those who deeply dislike his work find it memorable and horribly impressive. He is an artist obsessed by the horror of existence and the terrible vulnerability of being. He professed to see no hope, and yet his very life is a denial of such despair, because creativity can never really come without some belief in the meaning of what is created. Certain images recur again and again in Bacons paintings, and the best known is that of the screaming pope, after Velazquezs great portrait of Pope Innocent X. Bacon refused to study Velazquezs portrait, preferring instead to paint from his memory of that paintings authoritarian majesty. Here, he shows the pope, father of the Catholic Church, both enthroned and imprisioned by his position. Bacons relationship with his father was a very stormy one, and perhaps he has used some of the fear and hatred to conjure up this ghostly vision of a screaming pope, his face frozen in a rictus of anguish. The pope is pushed down to the bottom half of the canvas and squashed low in the chair. Around him, bacon has built the suggestion of a cage or cell. He has marked him out with an arrow, as if this clenched and tortured image was an exhibit in the artists chamber of horrors. Bacon has also drawn from another famous image, Rembrants great Carcass of Beef, and his hung the animals flayed and bloody flesh on either side of this human animal. Rembrant painted his carcass with reverence; Bacon sees these carcasses as raw meat the pope as he will be dangles them, almost insouciantly, behind the papal chair. Bacons portraits are just as unique as when he uses paintings of the past as the basis of his work, and transforms these in terms of his own inward vision of torment. He insisted on painting portraits only of his friends, and Lucien Freud was one of his closest. He insisted too that he did not want to paint his subjects from life, but from photographs, and the absence of the actual person set him free to mold and deform with a wild virtuosity. Here, he seems to have painted the portrait, and then, perhaps with his figure or thumb, smeared out the features of the face; yet, despite this arrogance with paint and feature, enough significant traces remain to recognize the face of the sitter. In the late 1940s and the 1950s there was a deliberate and concerted attempt to reintroduce subject matter figures, most frequently in a macabre effect. Along with Giacometti and Dubuffet, Frances Bacon was a major contributor to the postwar European figuration and fantasy movement. His devotion to the monstrous, the deformed. or the diseased has been variously interpreted as a reaction to the plight of the world and humanity. His paintings reveal his superb qualities as a pure painter and his obsessive sense of tradition.

Kkk Essays (1865 words) - Anti-Catholicism In The United States

Kkk Ku Klux Klan The Ku Klux Klan, or KKK as known today, was started in the spring of 1866. Six Confederate veterans formed a social club in Pulaski, Tennessee. This KKK only lasted a short six years, but left tactics and rituals that later started in generations. (Ingalls, 9) The Klan was a small group very much in secrecy at first. The exact date of the beginning is unknown. Despite all of the secrecy the six KKK members initiated new members to join their social club. (Ingalls, 9) A year after the creation of the KKK, the onetime social club joined the raising campaign against the Republican Reconstruction. The new direction of the Klan was well planned and organized. The Klan was now ready to expand to a bigger group. The Klan adopted a prescript. This was an organizational structure permitting the Klan to spread across the south. New members had to be over 18, pay $1, sworn to secrecy, recruits pledged to protect the weak, the innocent, and the defenseless, from the indignities, wrongs, and outrages of the lawless, the violent, and the brutal. The highly centralized plan for expanding the KKK, spread so rapidly that most chapters operated alone. The founders of the KKK lost control, and it became impossible to talk about a single KKK. Yet Klan activities still followed a common pattern throughout the south. (Ingalls 11-12) The Klan now started to spread across Tennessee. At first the Klan used tricks to keep blacks in their place. At first, the Klan would ride around on horses, and with their white robes, and white pointed masks, try to scare blacks. They would try to act like ghost with their white uniforms. Unfortunately, the Klan quickly moved to more violent pranks. (Ingalls, 12) The Klan would now suppress blacks. The Klan leaders proved unable to control their followers. Although the violence was often random, there was a method in the madness. The victims were almost always black or if white, associated with the hatred of the Republican party. The Klan had fear of black equality and sparked attacks on schools setup for freed slaves. The Klan would warn the blacks not to attend school, and would scare the teachers, most from out of state, to leave town. (Ingalls 12-13) Many groups started forming around the south called the Ku Kluxers. The Klan was being noticed as The Invisible Empire. However and wherever Klan's were formed they all followed the same pattern set by the Tennessee Klan. The Klan became the greatest terror in 1868, when their attacks were against Republicans and elect democrats. Thousands of blacks and whites fell victim to the murders and beatings given by the KKK. (Ingalls, 13) In 1869, General Forrest, the Grand Wizard of the KKK ordered Klansmen to restrict their activities. The Klan was getting out of control, and Congress passed a Ku Klux Klan Act in 1871. By the end of 1872, the federal crackdown had broken the back of the KKK. Because of the restriction and the Act passed violence was isolated but still continued. The KKK was dead, and Reconstruction lived on in southern legend . This would not be the last of the KKK. On the night of Thanksgiving in 1915, sixteen men from Atlanta, Georgia climbed to the top of Stone Mountain and built an altar of stones on which they placed an American flag. They then stood up a sixteen foot long cross and burned it. One week later, this group applied for a state charter making it The Knights of the KKK, Inc. This was put in effect during the Reconstruction. The new Klan at first received little attention. Only in time, it became the biggest and most powerful Klan in history. Klan membership was limited to native-born, white, Protestant American Men. The Klan message was clearly to appeal to people who were troubled by abrupt changes in American Society. (Ingalls, 16-17) Many believe that the biggest growth of the KKK began when Colonel Simmons, considerably the founder of the new KKK, linked up with Edward Young Clarke and Elizabeth Tyler. In June 1920, Clarke and Simmons signed a contract that guaranteed Clarke a share of Klan profits. Clarke and Tyler would receive a good Kkk Essays (1865 words) - Anti-Catholicism In The United States Kkk Ku Klux Klan The Ku Klux Klan, or KKK as known today, was started in the spring of 1866. Six Confederate veterans formed a social club in Pulaski, Tennessee. This KKK only lasted a short six years, but left tactics and rituals that later started in generations. (Ingalls, 9) The Klan was a small group very much in secrecy at first. The exact date of the beginning is unknown. Despite all of the secrecy the six KKK members initiated new members to join their social club. (Ingalls, 9) A year after the creation of the KKK, the onetime social club joined the raising campaign against the Republican Reconstruction. The new direction of the Klan was well planned and organized. The Klan was now ready to expand to a bigger group. The Klan adopted a prescript. This was an organizational structure permitting the Klan to spread across the south. New members had to be over 18, pay $1, sworn to secrecy, recruits pledged to protect the weak, the innocent, and the defenseless, from the indignities, wrongs, and outrages of the lawless, the violent, and the brutal. The highly centralized plan for expanding the KKK, spread so rapidly that most chapters operated alone. The founders of the KKK lost control, and it became impossible to talk about a single KKK. Yet Klan activities still followed a common pattern throughout the south. (Ingalls 11-12) The Klan now started to spread across Tennessee. At first the Klan used tricks to keep blacks in their place. At first, the Klan would ride around on horses, and with their white robes, and white pointed masks, try to scare blacks. They would try to act like ghost with their white uniforms. Unfortunately, the Klan quickly moved to more violent pranks. (Ingalls, 12) The Klan would now suppress blacks. The Klan leaders proved unable to control their followers. Although the violence was often random, there was a method in the madness. The victims were almost always black or if white, associated with the hatred of the Republican party. The Klan had fear of black equality and sparked attacks on schools setup for freed slaves. The Klan would warn the blacks not to attend school, and would scare the teachers, most from out of state, to leave town. (Ingalls 12-13) Many groups started forming around the south called the Ku Kluxers. The Klan was being noticed as The Invisible Empire. However and wherever Klan's were formed they all followed the same pattern set by the Tennessee Klan. The Klan became the greatest terror in 1868, when their attacks were against Republicans and elect democrats. Thousands of blacks and whites fell victim to the murders and beatings given by the KKK. (Ingalls, 13) In 1869, General Forrest, the Grand Wizard of the KKK ordered Klansmen to restrict their activities. The Klan was getting out of control, and Congress passed a Ku Klux Klan Act in 1871. By the end of 1872, the federal crackdown had broken the back of the KKK. Because of the restriction and the Act passed violence was isolated but still continued. The KKK was dead, and Reconstruction lived on in southern legend . This would not be the last of the KKK. On the night of Thanksgiving in 1915, sixteen men from Atlanta, Georgia climbed to the top of Stone Mountain and built an altar of stones on which they placed an American flag. They then stood up a sixteen foot long cross and burned it. One week later, this group applied for a state charter making it The Knights of the KKK, Inc. This was put in effect during the Reconstruction. The new Klan at first received little attention. Only in time, it became the biggest and most powerful Klan in history. Klan membership was limited to native-born , white, Protestant American Men. The Klan message was clearly to appeal to people who were troubled by abrupt changes in American Society. (Ingalls, 16-17) Many believe that the biggest growth of the KKK began when Colonel Simmons, considerably the founder of the new KKK, linked up with Edward Young Clarke and Elizabeth Tyler. In June 1920, Clarke and Simmons signed a contract that guaranteed Clarke a share of Klan profits. Clarke and Tyler would receive a